Towards a Digital Epistemology Aesthetics and Modes of Thought in Early Modernity and the Present Age /
This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and...
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| Format: | Electronic eBook |
| Language: | English |
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Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2021.
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| Edition: | 2nd ed. 2021. |
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| Online Access: | Link to Metadata |
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| 100 | 1 | |a Ingvarsson, Jonas. |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Towards a Digital Epistemology |h [electronic resource] : |b Aesthetics and Modes of Thought in Early Modernity and the Present Age / |c by Jonas Ingvarsson. |
| 250 | |a 2nd ed. 2021. | ||
| 264 | 1 | |a Cham : |b Springer International Publishing : |b Imprint: Palgrave Macmillan, |c 2021. | |
| 300 | |a XVI, 136 p. 10 illus. |b online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
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| 505 | 0 | |a 1. Digital Epistemology - An Introduction -- 2. CCC Vs WWW: Digital Epistemology and Literary Text -- 3. Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic -- 4. "Books are Machines": Materiality and Agency from the 1960s to the 2010s -- 5. Towards a 21st Century Pedagogy for the Humanities. | |
| 506 | 0 | |a Open Access | |
| 520 | |a This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle ofpertinence contribute to the analyses of contemporary digital forms? | ||
| 650 | 0 | |a Digital media. | |
| 650 | 0 | |a Digital humanities. | |
| 650 | 1 | 4 | |a Digital and New Media. |
| 650 | 2 | 4 | |a Digital Humanities. |
| 710 | 2 | |a SpringerLink (Online service) | |
| 773 | 0 | |t Springer Nature eBook | |
| 776 | 0 | 8 | |i Printed edition: |z 9783030787233 |
| 776 | 0 | 8 | |i Printed edition: |z 9783030787257 |
| 856 | 4 | 0 | |u https://doi.org/10.1007/978-3-030-78724-0 |z Link to Metadata |
| 912 | |a ZDB-2-LCM | ||
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| 950 | |a Literature, Cultural and Media Studies (SpringerNature-41173) | ||
| 950 | |a Literature, Cultural and Media Studies (R0) (SpringerNature-43723) | ||