The Bible and Music

The Bible and Music by Dr. James F. McGrath provides an introduction and overview of the various ways that music and the Bible have been and continue to be connected. Part 1 focuses on history, presenting what we know about how music in the Ancient Near East sounded, how markings in the Masoretic Te...

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Bibliographic Details
Main Author: McGrath, James F. (Author)
Format: Electronic eBook
Language:English
Published: [Place of publication not identified] PALNI [2023]
Series:Open textbook library.
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Online Access:Access online version
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505 0 |a Publisher's Note -- Preface -- Introduction -- I. History -- 1. Ancient Music behind and in the Bible -- 2. Chanting in Synagogues -- 3. Chanting in Churches -- 4. The Protestant Reformatiion and Metrical Psalms -- 5. Spirituals -- 6. Contemporary Christian Music -- II. Texts -- 7. Creation -- 8. Psalms -- 9. Isaac and Family -- 10. Exodus -- 11. King David (and His Famlily, Friends, and Enemies) -- 12. Elijah -- 13. Romance in the Bible? Ruth and Boaz, Samson and Delilah -- 14. Songs of Songs -- 15. Esther -- 16. Salome -- 17. The Magnificat and Nunc Dimittis -- 18. Our Father -- 19. Revelation -- 20. Alleluias and Allusions -- 21. Biblical Music without Words -- 22. Bringing Texts Together -- III. People and Genres -- 23. Hildegard of Bingen -- 24. Salamone -- 25. Johann Sebastian Bach -- 26. Passions: Bach and Beyond -- 27. The Bible as Musical, Oratorio, and Opera -- 28. Handel's Messiah -- 29. Lilii Boulanger -- 30. Arnold Schoenberg -- 31. John Rutter -- 32. Christmas Carols -- 33. Arvo Part -- 34. Andrea Clearfield -- 35. Roxanna Panufnik -- Conclusion -- Appendix 1: Paths through This Book -- Appendix 2: Making Music with Apps, Websites, and Software -- Appendix 3: For Further Listening -- General Bibliography -- Media Bibliography -- Contributors 
520 0 |a The Bible and Music by Dr. James F. McGrath provides an introduction and overview of the various ways that music and the Bible have been and continue to be connected. Part 1 focuses on history, presenting what we know about how music in the Ancient Near East sounded, how markings in the Masoretic Text of the Hebrew Bible have been interpreted as musical symbols, how chanting of biblical texts has featured liturgically in synagogues and churches, the impact of the Protestant Reformation, and musical developments in North America as enslaved Africans encountered biblical texts and stories. Part 2 focuses on specific texts in Jewish and Christian scripture and looks at how they have been interpreted through the process of setting them to music, including the soundtracks of cinematic depictions of biblical narrative and allusions to the Bible in popular music. Part 3 focuses on composers from the Middle Ages all the way down to the present day. Throughout the book, musical examples are not merely mentioned but embedded so that reading and listening may be seamlessly combined. The book does not presume prior knowledge of either music or the Bible, and additional links within the text provide definitions and further explanations for those who need or desire them. 
542 1 |f Attribution 
546 |a In English. 
588 0 |a Description based on print resource 
650 0 |a Humanities  |v Textbooks 
650 0 |a Religion  |v Textbooks 
650 0 |a Music  |v Textbooks 
710 2 |a Open Textbook Library  |e distributor 
856 4 0 |u https://open.umn.edu/opentextbooks/textbooks/1019  |z Access online version