Chapter «Мы смеялись, словно от щекотки по сердцу». Мутная исповедь у Достоевского

"We laughed like from a tickle on the heart." Dostoevsky's Muddy Confession. When considering laughter in Dostoevsky, one immediately thinks of the long "tirade" in The Adolescent, which proposes a kind of physiology of laughter, and its unpredictable effects on the percepti...

Full description

Saved in:
Bibliographic Details
Main Author: GHIDINI, Maria Candida (auth)
Other Authors: Vojvodic, Jasmina (auth)
Format: Electronic Book Chapter
Language:Russian
Published: Florence Firenze University Press 2023
Series:Biblioteca di Studi Slavistici
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_111998
005 20230808
003 oapen
006 m o d
007 cr|mn|---annan
008 20230808s2023 xx |||||o ||| 0|rus d
020 |a 979-12-215-0122-3.11 
020 |a 9791221501223 
040 |a oapen  |c oapen 
024 7 |a 10.36253/979-12-215-0122-3.11  |c doi 
041 0 |a rus 
042 |a dc 
072 7 |a D  |2 bicssc 
100 1 |a GHIDINI, Maria Candida  |4 auth 
700 1 |a Vojvodic, Jasmina  |4 auth 
245 1 0 |a Chapter «Мы смеялись, словно от щекотки по сердцу». Мутная исповедь у Достоевского 
260 |a Florence  |b Firenze University Press  |c 2023 
300 |a 1 electronic resource (10 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Biblioteca di Studi Slavistici 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a "We laughed like from a tickle on the heart." Dostoevsky's Muddy Confession. When considering laughter in Dostoevsky, one immediately thinks of the long "tirade" in The Adolescent, which proposes a kind of physiology of laughter, and its unpredictable effects on the perception of those who witness it. Laughter and caustic humor color even the most intimate confessions and can serve to partially mask the difficult action of revealing oneself before others. Modernity itself is the era of self-exhibition, of a sort of widespread confession. And yet, the laughter of modernity has lost the essence of joy. Joy is a function of that almost impossible sincerity that unveils the essence of man. The grimace of the fool, who shamelessly denudes himself before others in confession, becomes a sign of the isolation of the modern self and the end of the utopia of sincerity pursued by Rousseau. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by/4.0/ 
546 |a Russian 
650 7 |a Literature & literary studies  |2 bicssc 
653 |a confession 
653 |a Dostoevsky 
653 |a laughter 
653 |a modernity 
653 |a sincerity 
773 1 0 |7 nnaa  |o OAPEN Library UUID: Ф.М. Достоевский: Юмор, парадоксальность, демонтаж 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/74973/1/9791221501223-11.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/111998  |7 0  |z DOAB: description of the publication