Metodología para el estudio de la pintura mural romana: el conjunto de las musas de Bilbilis
In this book we present an analysis of one of the ensembles found in Taberna 7 of Domus I (Insula I) at the Roman site of Bilbilis (Calatayud, Zaragoza, Spain), chronologically assigned to 35-45 BC. The importance of this ensemble, colloquially known as the "Muses Ensemble" because of the...
Saved in:
Main Author: | |
---|---|
Format: | Electronic Book Chapter |
Language: | Spanish |
Published: |
Pessac
Ausonius éditions
2022
|
Series: | PrimaLun@
18 |
Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_112639 | ||
005 | 20230814 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20230814s2022 xx |||||o ||| 0|spa d | ||
020 | |a primaluna18.9782356134943 | ||
020 | |a 9782356134943 | ||
020 | |a 9782356134950 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.46608/primaluna18.9782356134943 |c doi | |
041 | 0 | |a spa | |
042 | |a dc | ||
072 | 7 | |a JKV |2 bicssc | |
072 | 7 | |a AC |2 bicssc | |
100 | 1 | |a Íñiguez Berrozpe, Lara María |4 auth | |
245 | 1 | 0 | |a Metodología para el estudio de la pintura mural romana: el conjunto de las musas de Bilbilis |
260 | |a Pessac |b Ausonius éditions |c 2022 | ||
300 | |a 1 electronic resource (144 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a PrimaLun@ |v 18 | |
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a In this book we present an analysis of one of the ensembles found in Taberna 7 of Domus I (Insula I) at the Roman site of Bilbilis (Calatayud, Zaragoza, Spain), chronologically assigned to 35-45 BC. The importance of this ensemble, colloquially known as the "Muses Ensemble" because of the presence of these figures in the central panels, lies in the fact that it is one of the highest quality ensembles in Hispania. But this book goes beyond the study of a pictorial ensemble and applies to a specific case the methodology that we use in Roman wall painting to work with this material and obtain all the information that is useful from an archaeological point of view. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-sa/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-sa/4.0/ | ||
546 | |a Spanish | ||
650 | 7 | |a Crime & criminology |2 bicssc | |
650 | 7 | |a History of art / art & design styles |2 bicssc | |
653 | |a archaeometry | ||
653 | |a Egyptian blue | ||
653 | |a band | ||
653 | |a database | ||
653 | |a Bilbilis | ||
653 | |a tracing | ||
653 | |a candelabra | ||
653 | |a completion layer | ||
653 | |a pictorial layer | ||
653 | |a cinnabar | ||
653 | |a assembly | ||
653 | |a context | ||
653 | |a domus | ||
653 | |a archaeological dig | ||
653 | |a technical data sheet | ||
653 | |a net | ||
653 | |a photograph | ||
653 | |a fragment | ||
653 | |a interpanel | ||
653 | |a photogrammetric model | ||
653 | |a mortar | ||
653 | |a muses | ||
653 | |a orthophotography | ||
653 | |a pigment | ||
653 | |a in situ painting | ||
653 | |a puzzle | ||
653 | |a fixing system | ||
653 | |a preparatory run | ||
653 | |a site | ||
653 | |a plinth | ||
653 | |a middle area | ||
653 | |a upper area | ||
856 | 4 | 0 | |a www.oapen.org |u https://ressources.una-editions.fr/s/wXD9Y7szK2eNDxp |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/112639 |7 0 |z DOAB: description of the publication |