La estética contemporánea de la violencia de género: una mirada desde el siglo XXI (Contextos)
Violence - as distinct from power - always seeks instruments for its existence. for its existence. Hobbes' old phrase is interesting to guide our to guide our reflections in the contemporary world: "Covenants without coercive coercive measures, they are nothing but words". After the S...
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Other Authors: | , , , |
Format: | Electronic Book Chapter |
Language: | Spanish |
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https://repositorio.americana.edu.co/handle/001/111
Corporación Universitaria Americana
2022
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Online Access: | DOAB: download the publication DOAB: description of the publication |
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Summary: | Violence - as distinct from power - always seeks instruments for its existence. for its existence. Hobbes' old phrase is interesting to guide our to guide our reflections in the contemporary world: "Covenants without coercive coercive measures, they are nothing but words". After the Second World War World War II was not followed by a period of peace, but by the Cold War and the establishment of a military-military complex. and the establishment of a military-industrial complex (Arendt, 1970). Karl Marx (2010) in the 18th Brumaire of Louis Bonaparte stated that historical events happen twice in the course of history. historical events take place twice in history: once as a tragedy and the tragedy and the second as farce. It is precisely on this second phase or repetition of historical events that this book is about. The The idea of trying to make an approach to reality studies of the 21st century with respect to the aesthetics of violence, understanding this aesthetics as the presentation of this particular as the presentation of this particular violence of contemporaneity, with its facilitating instruments, its with its facilitating instruments, with its discourses and its practices that make possible the naturalization of a policy that castrates rights. Does this aesthetics of violence in our contemporaneity behave in a similar way to the aesthetics of historical processes? similar to the aesthetics of previous historical processes? Bastide (2006) when analyzing aesthetics, argues that society shapes the reaction to it, and from the reaction to it, and in the same way here society shapes the practices of violence, especially practices of violence, especially when we analyze violence and its relation to gender issues. and its relationship to gender issues. La violencia - distinta del poder - busca siempre instrumentos para su existencia. La vieja frase de Hobbes es interesante para guiar nuestras reflexiones en la contemporaneidad: "Pactos sin las medidas coercitivas, no son más que palabras". Tras la Segunda Guerra Mundial no se siguió un período de paz, sino que la Guerra Fría y el establecimiento de un complejo-militar-industrial (Arendt, 1970). Karl Marx (2010) en el 18 Brumario de Luis Bonaparte afirmaba que los acontecimientos históricos se pasan dos veces en la Historia: una como tragedia y la segunda como farsa. Es precisamente sobre esa segunda fase o repetición de los acontecimientos históricos que se trata este libro. La idea de intentar hacer una aproximación a los estudios de la realidad del siglo XXI en respecto a la estética de la violencia, entendiendo esa estética como la presentación de esa violencia particular de la contemporaneidad con sus instrumentos facilitadores, con sus discursos y sus prácticas que posibilitan la naturalización de una política castradora de derechos. ¿Esta estética de la violencia en nuestra contemporaneidad se porta de manera similar a la estética de procesos históricos anteriores? Bastide (2006) cuando analiza la estética argumenta que la sociedad moldea la reacción frente a ella, y de igual forma aquí la sociedad moldea las prácticas de la violencia, sobre todo cuando analizamos la violencia y su relación con las cuestiones de género. La violencia de género es practicada igualmente por la sociedad. |
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Physical Description: | 1 electronic resource (133 p.) |
ISBN: | 978-958-5512-15-3 |
Access: | Open Access |