Queer African Cinemas
In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argue...
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Format: | Electronic Book Chapter |
Language: | English |
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Duke University Press
2022
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Online Access: | DOAB: download the publication DOAB: description of the publication |
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520 | |a In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance-contrary to traditional narratives about resistance that center overt and heroic struggle-is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival. | ||
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546 | |a English | ||
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653 | |a Film history, theory & criticism | ||
856 | 4 | 0 | |a www.oapen.org |u https://muse.jhu.edu/book/99874 |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/114158 |7 0 |z DOAB: description of the publication |