Installation Art and the Museum Presentation and Conservation of Changing Artworks
Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing t...
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| Main Author: | |
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| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Amsterdam University Press
2013
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| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
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| 100 | 1 | |a van Saaze, Vivian |4 auth | |
| 245 | 1 | 0 | |a Installation Art and the Museum |b Presentation and Conservation of Changing Artworks |
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| 520 | |a Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing three in-depth case studies, the author sheds new light on the key concepts of traditional conservation-authenticity, artist's intention, and the notion of ownership-while exploring how these concepts apply in contemporary art conservation. | ||
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| 650 | 7 | |a The arts: general issues |2 bicssc | |
| 650 | 7 | |a History of art / art & design styles |2 bicssc | |
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