Corps et capital dans le roman français du XIXe siècle = Körper und Kapital im französischen Roman des 19. Jahrhunderts

Since Pierre Bourdieu, we have known that the body forms incorporated cultural and social capital. It is a commodity and means of production, a sign of belonging to a social class, a place where sex, gender and power relations are negotiated or a pretext for social exclusions and racism. The body is...

Full description

Saved in:
Bibliographic Details
Other Authors: Borst, Julia (Editor), Febel, Gisela (Editor)
Format: Electronic Book Chapter
Published: Berlin Frank & Timme 2023
Series:Literaturwissenschaft
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_128376
005 20231129
003 oapen
006 m o d
007 cr|mn|---annan
008 20231129s2023 xx |||||o ||| 0|deu d
020 |a 20.500.12657/85545 
020 |a 9783732909162 
020 |a 9783732990337 
040 |a oapen  |c oapen 
024 7 |a 10.26530/20.500.12657/85545  |c doi 
041 0 |a deu  |a fra 
042 |a dc 
072 7 |a DSBF  |2 bicssc 
072 7 |a VX  |2 bicssc 
072 7 |a 1DDF  |2 bicssc 
072 7 |a 2ADF  |2 bicssc 
100 1 |a Borst, Julia  |4 edt 
700 1 |a Febel, Gisela  |4 edt 
700 1 |a Borst, Julia  |4 oth 
700 1 |a Febel, Gisela  |4 oth 
245 1 0 |a Corps et capital dans le roman français du XIXe siècle = Körper und Kapital im französischen Roman des 19. Jahrhunderts 
260 |a Berlin  |b Frank & Timme  |c 2023 
300 |a 1 electronic resource (501 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Literaturwissenschaft 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Since Pierre Bourdieu, we have known that the body forms incorporated cultural and social capital. It is a commodity and means of production, a sign of belonging to a social class, a place where sex, gender and power relations are negotiated or a pretext for social exclusions and racism. The body is the object of punishments, sanctions and social control, a support for affects, obsessions and illnesses as well as a site of rebellion and resistance. The 19th century novels analyzed in the contributions to this volume tell all this. From the perspective of current body studies, we propose a new reading of the great stories from Balzac to Zola, via Mirbeau, Maupassant, Louise Michel, Georges Sand, Rachilde, Eugène Sue and Huysmans to demonstrate, through their texts, how the Images of the body and the policies of capital are part of the imagination and memory of 19th century French society. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a German 
546 |a French 
650 7 |a Literary studies: c 1800 to c 1900  |2 bicssc 
650 7 |a Mind, Body, Spirit  |2 bicssc 
650 7 |a France  |2 bicssc 
650 7 |a French  |2 bicssc 
653 |a France; 19th century; dependence; Aesthetics; Women; Money; gender order; Company; Capital; Body; body staging; Les Rougon Macquart; literary studies; Fashion; Romance studies; Balzac; George Sand; Huysmans; Maupassant; Michel; Mirbeau; Virginia Woolf; Zola; Body Studies; Les Rougon-Macquart 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/85545/3/9783732990320.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/128376  |7 0  |z DOAB: description of the publication