Präexistente Musik im Film Klangwelten im Kino des Lars von Trier
From the end of the world with Richard Wagner's "Tristan and Isolde" to the vocal performance of a Björk sentenced to death on the gallows to Johann Sebastian Bach's organ music as an explanatory model for hypersexuality: as strange as Lars von Trier's cinema may seem, it o...
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| Format: | Electronic Book Chapter |
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Munich
Edition Text + Kritik
2022
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| Online Access: | DOAB: download the publication DOAB: description of the publication |
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