New Perspectives on Pop Culture
While the established qualitative meaning of the term 'popular culture' remains pertinent, as superhero comics and pop music, Hollywood films and TV thrillers, and pulp fiction and videogames are still quite naturally assigned to the realm of popular culture and thus excluded from high cul...
Αποθηκεύτηκε σε:
Άλλοι συγγραφείς: | , |
---|---|
Μορφή: | Ηλεκτρονική πηγή Κεφάλαιο βιβλίου |
Γλώσσα: | Αγγλικά |
Έκδοση: |
Basel
MDPI - Multidisciplinary Digital Publishing Institute
2023
|
Θέματα: | |
Διαθέσιμο Online: | DOAB: download the publication DOAB: description of the publication |
Ετικέτες: |
Προσθήκη ετικέτας
Δεν υπάρχουν, Καταχωρήστε ετικέτα πρώτοι!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_128700 | ||
005 | 20231130 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20231130s2023 xx |||||o ||| 0|eng d | ||
020 | |a books978-3-0365-8923-7 | ||
020 | |a 9783036589220 | ||
020 | |a 9783036589237 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.3390/books978-3-0365-8923-7 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a A |2 bicssc | |
100 | 1 | |a Stein, Daniel |4 edt | |
700 | 1 | |a Werber, Niels |4 edt | |
700 | 1 | |a Stein, Daniel |4 oth | |
700 | 1 | |a Werber, Niels |4 oth | |
245 | 1 | 0 | |a New Perspectives on Pop Culture |
260 | |a Basel |b MDPI - Multidisciplinary Digital Publishing Institute |c 2023 | ||
300 | |a 1 electronic resource (228 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a While the established qualitative meaning of the term 'popular culture' remains pertinent, as superhero comics and pop music, Hollywood films and TV thrillers, and pulp fiction and videogames are still quite naturally assigned to the realm of popular culture and thus excluded from high culture, this Special Issue explores recent shifts from the qualitative to the quantitative dimensions of the popular in order to re-evaluate the significance of the high/low culture difference. The chapters in this reprint reassess the gap between high and low culture in an effort to rethink conventional notions of pop and the popular and acknowledge quantified popularity's increasing significance as a scalable force in contemporary society. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
546 | |a English | ||
650 | 7 | |a The arts |2 bicssc | |
653 | |a pop aesthetics | ||
653 | |a quantitative and qualitative popularity | ||
653 | |a metrics of popularity | ||
653 | |a charts and bestseller lists | ||
653 | |a high/low distinctions | ||
653 | |a accommodation, resilience, resistance | ||
653 | |a algorithms and digital culture | ||
856 | 4 | 0 | |a www.oapen.org |u https://mdpi.com/books/pdfview/book/8164 |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/128700 |7 0 |z DOAB: description of the publication |