A Fragile Inheritance Radical Stakes in Contemporary Indian Art
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how...
Saved in:
Main Author: | |
---|---|
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Durham
Duke University Press
2019
|
Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_26729 | ||
005 | 20210210 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20210210s2019 xx |||||o ||| 0|eng d | ||
020 | |a 9781478090311 | ||
020 | |a 9781478003380; 9781478003014; 9781478001867 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.1215/9781478090311 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a ACXJ |2 bicssc | |
100 | 1 | |a Mathur, Saloni |4 auth | |
245 | 1 | 0 | |a A Fragile Inheritance |b Radical Stakes in Contemporary Indian Art |
260 | |a Durham |b Duke University Press |c 2019 | ||
300 | |a 1 electronic resource (249 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists' political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur's practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time. | ||
540 | |a Creative Commons |f by-nc-nd/3.0/ |2 cc |4 http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
546 | |a English | ||
650 | 7 | |a Art & design styles: from c 1960 |2 bicssc | |
653 | |a Vivan Sundaram | ||
653 | |a Geeta Kapur | ||
653 | |a South Asian art | ||
653 | |a art criticism | ||
653 | |a global contemporary art | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/22291/1/9781478090311_OA.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/26729 |7 0 |z DOAB: description of the publication |