Culture of Class Radio and Cinema in the Making of a Divided Argentina, 1920-1946

In an innovative cultural history of Argentine movies and radio in the decades before Peronism, Matthew B. Karush demonstrates that competition with jazz and Hollywood cinema shaped Argentina's domestic cultural production in crucial ways, as Argentine producers tried to elevate their offerings...

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Bibliographic Details
Main Author: Karush, Matthew B. (auth)
Format: Electronic Book Chapter
Language:English
Published: Durham, NC Duke University Press 2012
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
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520 |a In an innovative cultural history of Argentine movies and radio in the decades before Peronism, Matthew B. Karush demonstrates that competition with jazz and Hollywood cinema shaped Argentina's domestic cultural production in crucial ways, as Argentine producers tried to elevate their offerings to appeal to consumers seduced by North American modernity. At the same time, the transnational marketplace encouraged these producers to compete by marketing "authentic" Argentine culture. Domestic filmmakers, radio and recording entrepreneurs, lyricists, musicians, actors, and screenwriters borrowed heavily from a rich tradition of popular melodrama. Although the resulting mass culture trafficked in conformism and consumerist titillation, it also disseminated versions of national identity that celebrated the virtue and dignity of the poor, while denigrating the wealthy as greedy and mean-spirited. 
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653 |a Buenos Aires 
653 |a Juan Perón 
653 |a Media culture 
653 |a Melodrama 
653 |a Peronism 
653 |a Working class 
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