The Imagery of Interior Spaces
On the unstable boundaries between "interior" and "exterior," "private" and "public," and always in some way relating to a "beyond," the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of moderni...
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Other Authors: | , |
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Format: | Electronic Book Chapter |
Language: | English |
Published: |
Brooklyn, NY
punctum books
2019
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Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
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020 | |a 9781950192205 | ||
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041 | 0 | |a eng | |
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072 | 7 | |a DSA |2 bicssc | |
100 | 1 | |a Bauer, Dominique |4 edt | |
700 | 1 | |a Kelly, Michael J. |4 edt | |
700 | 1 | |a Bauer, Dominique |4 oth | |
700 | 1 | |a Kelly, Michael J. |4 oth | |
245 | 1 | 0 | |a The Imagery of Interior Spaces |
260 | |a Brooklyn, NY |b punctum books |c 2019 | ||
300 | |a 1 electronic resource (244 p.) | ||
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506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a On the unstable boundaries between "interior" and "exterior," "private" and "public," and always in some way relating to a "beyond," the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature - from the odd room over the womb, secluded parks, and train compartments, to the city as a world under a cloth - reveal a common defining feature: these interiors can all be analyzed as codes of a paradoxical, both assertive and fragile, subjectivity in its own unique time and history. They function as subtexts that define subjectivity, time, and history as profoundly ambiguous realities, on interchangeable existential, socio-political, and epistemological levels. This volume addresses the imagery of interior spaces in a number of iconic and also lesser known yet significant authors of European, North American, and Latin American literature of the nineteenth, twentieth, and twenty-first centuries: Djuna Barnes, Edmond de Goncourt, William Faulkner, Gabriel García Márquez, Benito Pérez Galdós, Elsa Morante, Robert Musil, Jules Romains, Peter Waterhouse, and Émile Zola. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-sa/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-sa/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Literary theory |2 bicssc | |
653 | |a literary studies | ||
653 | |a interior design | ||
653 | |a architecture | ||
653 | |a cultural studies | ||
653 | |a spatiality | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/25269/1/1004825.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/25269/1/1004825.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/25269/1/1004825.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/25269/1/1004825.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/26991 |7 0 |z DOAB: description of the publication |