Curating Contemporary Music Festivals A New Perspective on Music's Mediation

Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out...

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Opis bibliograficzny
1. autor: Farnsworth, Brandon (auth)
Format: Elektroniczne Rozdział
Język:angielski
Wydane: Bielefeld transcript Verlag 2020
Seria:Musik und Klangkultur
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DOAB: description of the publication
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Opis
Streszczenie:Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
Opis fizyczny:1 electronic resource (326 p.)
ISBN:9783839452431
Ograniczenie dostępu:Open Access