Studies in Strindberg

In this volume Strindberg's accomplishments as a dramatist are set against his achievements in other fields, as an autobiographer, painter, letter writer and theatre director. There are studies of individual plays, in which Strindberg's theatre is related both to naturalism and the theatre...

Full description

Saved in:
Bibliographic Details
Main Author: Robinson, Michael (auth)
Format: Electronic Book Chapter
Language:English
Published: Ubiquity Press 2013
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_30481
005 20210210
003 oapen
006 m o d
007 cr|mn|---annan
008 20210210s2013 xx |||||o ||| 0|eng d
020 |a bac 
040 |a oapen  |c oapen 
024 7 |a 10.5334/bac  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a AN  |2 bicssc 
072 7 |a D  |2 bicssc 
100 1 |a Robinson, Michael  |4 auth 
245 1 0 |a Studies in Strindberg 
260 |b Ubiquity Press  |c 2013 
300 |a 1 electronic resource (204 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a In this volume Strindberg's accomplishments as a dramatist are set against his achievements in other fields, as an autobiographer, painter, letter writer and theatre director. There are studies of individual plays, in which Strindberg's theatre is related both to naturalism and the theatre of the absurd, and of the role played by his life-long interest in historical drama. Other essays range from studies of the problems posed by Strindberg's preoccupation with converting his own life into literature to a consideration of the importance he placed on letterwriting as a model for writing of all kinds. His letters are also used to explore his ideas about the theatre. A recurring concern is with the period of turmoil known as the Inferno Crisis, in which Strindberg refashioned himself as a writer. Robinson examines the importance of Strindberg's painting for his renewal as a writer and situates the achievement of his later works in relation to Symbolism and to Musical Expressionism. (DOI: 10.5334/bac) 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by/3.0/  |2 cc  |4 https://creativecommons.org/licenses/by/3.0/ 
546 |a English 
650 7 |a Theatre studies  |2 bicssc 
650 7 |a Literature & literary studies  |2 bicssc 
653 |a august strindberg 
653 |a theatre 
653 |a inferno 
653 |a drama 
653 |a Arnold Schoenberg 
653 |a Autobiography 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/33208/1/533911.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/33208/1/533911.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/33208/1/533911.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/30481  |7 0  |z DOAB: description of the publication