From Orientalism to Cultural Capital The Myth of Russia in British Literature of the 1920s

From Orientalism to Cultural Capital presents a fascinating account of the wave of Russophilia that pervaded British literary culture in the early twentieth century. The authors bring a new approach to the study of this period, exploring the literary phenomenon through two theoretical models from th...

Full description

Saved in:
Bibliographic Details
Main Author: Soboleva, Olga (auth)
Other Authors: Wrenn, Angus (auth)
Format: Electronic Book Chapter
Language:English
Published: Peter Lang International Academic Publishing Group 2017
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_31619
005 20210210
003 oapen
006 m o d
007 cr|mn|---annan
008 20210210s2017 xx |||||o ||| 0|eng d
020 |a b11211 
020 |a 9781787073944 
040 |a oapen  |c oapen 
024 7 |a 10.3726/b11211  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a DSBH  |2 bicssc 
100 1 |a Soboleva, Olga  |4 auth 
700 1 |a Wrenn, Angus  |4 auth 
245 1 0 |a From Orientalism to Cultural Capital  |b The Myth of Russia in British Literature of the 1920s 
260 |b Peter Lang International Academic Publishing Group  |c 2017 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a From Orientalism to Cultural Capital presents a fascinating account of the wave of Russophilia that pervaded British literary culture in the early twentieth century. The authors bring a new approach to the study of this period, exploring the literary phenomenon through two theoretical models from the social sciences: Orientalism and the notion of «cultural capital» associated with Pierre Bourdieu. Examining the responses of leading literary practitioners who had a significant impact on the institutional transmission of Russian culture, they reassess the mechanics of cultural dialogism, mediation and exchange, casting new light on British perceptions of modernism as a transcultural artistic movement and the ways in which the literary interaction with the myth of Russia shaped and intensified these cultural views. 
536 |a Knowledge Unlatched 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode 
546 |a English 
650 7 |a Literary studies: from c 1900 -  |2 bicssc 
653 |a Literature 
653 |a Anglo-Russian connections 
653 |a British literature 
653 |a Modernism 
653 |a Russophilia 
653 |a Fyodor Dostoevsky 
653 |a Ivan Turgenev 
653 |a John Galsworthy 
653 |a Leo Tolstoy 
653 |a London 
653 |a Virginia Woolf 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/31404/1/628404.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/31404/1/628404.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/31404/1/628404.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/31619  |7 0  |z DOAB: description of the publication