Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis

Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...

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Ētahi atu kaituhi:	Becker, Daniel (Editor), Fischer, Annalisa (Editor), Schmitz, Yola (Editor)
Hōputu:	Tāhiko Wāhanga pukapuka
Reo:	Ingarihi
I whakaputaina:	Bielefeld transcript Verlag 2018
Rangatū:	Edition Kulturwissenschaft
Ngā marau:	Social & cultural history Forgery Culture Cultural Transfer Translation Imitation Original Copy Aesthetic Practice Creativity Faked Tradition Pseudotranslation Imposter Identity Theft Hoax Cultural History Art Literature Theory of Art General Literature Studies Media Aesthetics Cultural Studies
Urunga tuihono:	DOAB: download the publication DOAB: description of the publication
Ngā Tūtohu:	Tāpirihia he Tūtohu Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!

Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis

I whakaputaina 2018

OAPEN Library: download the publication
OAPEN Library: description of the publication

Tāhiko Wāhanga pukapuka

Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis

Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis

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