British cinema of the 1950s A celebration

This book offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British cinema. Twenty writers contribute essays that rediscover and reassess the productions of the Festival of Britain decade, during which the vitality of wartime film-making...

Full description

Saved in:
Bibliographic Details
Main Author: Sinyard, Neil (auth)
Other Authors: MacKillop, Ian (auth)
Format: Electronic Book Chapter
Language:English
Published: Manchester University Press 2003
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_33351
005 20210210
003 oapen
006 m o d
007 cr|mn|---annan
008 20210210s2003 xx |||||o ||| 0|eng d
020 |a 9781526137272 
020 |a 9781526137272 
040 |a oapen  |c oapen 
024 7 |a 10.7765/9781526137272  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a APF  |2 bicssc 
100 1 |a Sinyard, Neil  |4 auth 
700 1 |a MacKillop, Ian  |4 auth 
245 1 0 |a British cinema of the 1950s  |b A celebration 
260 |b Manchester University Press  |c 2003 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This book offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British cinema. Twenty writers contribute essays that rediscover and reassess the productions of the Festival of Britain decade, during which the vitality of wartime film-making flowed into new forms. Topics covered include genres such as the B-film, the war film, the woman's picture, the theatrical adaptation and comedy; also social issues such as censorship and the screen representation of childhood. The book includes fresh assessments of maverick directors such as Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic, Raymond Durgnat. There are also three personal views from people individually implicated in 1950s cinema: Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the British Film Institute on film archiving and preservation. In its evocation and coverage of a fascinating time when the national cinema enjoyed an unprecedented popularity amongst home audiences, this volume offers the most exhilarating survey yet of 1950s British film. In its provocative challenge to conventional wisdom about this decade's movies, the book will prove indispensable to students of the cinema at all levels and a stimulating companion for the critic and the historian. 
540 |a Creative Commons  |f by-nc-nd/3.0/  |2 cc  |4 http://creativecommons.org/licenses/by-nc-nd/3.0/ 
546 |a English 
650 7 |a Films, cinema  |2 bicssc 
653 |a cinema 
653 |a film 
653 |a british 
653 |a Cinema of the United Kingdom 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/35065/1/British%20cinema%20of%20the%201950s%20a%20celebration.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/35065/1/British%20cinema%20of%20the%201950s%20a%20celebration.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/35065/1/British%20cinema%20of%20the%201950s%20a%20celebration.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/33351  |7 0  |z DOAB: description of the publication