Chapter 7 'Our People' Telemovies, bangsa and nationalism 3.0 in Sabah, Malaysia: Hiroyuki Yamamoto

This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between soc...

Full description

Saved in:
Bibliographic Details
Main Author: Yamamoto, Hiroyuki (auth)
Format: Electronic Book Chapter
Language:English
Published: Taylor & Francis 2012
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_33479
005 20210210
003 oapen
006 m o d
007 cr|mn|---annan
008 20210210s2012 xx |||||o ||| 0|eng d
020 |a 9780415626187 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a AP  |2 bicssc 
072 7 |a APFA  |2 bicssc 
072 7 |a GTB  |2 bicssc 
072 7 |a JFSL  |2 bicssc 
100 1 |a Yamamoto, Hiroyuki  |4 auth 
245 1 0 |a Chapter 7 'Our People'  |b Telemovies, bangsa and nationalism 3.0 in Sabah, Malaysia: Hiroyuki Yamamoto 
260 |b Taylor & Francis  |c 2012 
300 |a 1 electronic resource (18 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital. 
540 |a Creative Commons  |f by-nc-nd/4.0/  |2 cc  |4 http://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Film, TV & radio  |2 bicssc 
650 7 |a Film theory & criticism  |2 bicssc 
650 7 |a Regional studies  |2 bicssc 
650 7 |a Ethnic studies  |2 bicssc 
653 |a Area Studies 
653 |a Asian Studies 
653 |a Asian Studies (General) 
653 |a Asian Culture & Society 
653 |a South East Asian Studies 
653 |a South East Asian Culture & Society 
653 |a Politics & International Relations 
653 |a Comparative Politics 
653 |a Humanities 
653 |a Media & Film Studies 
653 |a Film Studies 
653 |a Contemporary Cinema 
653 |a World Cinema 
653 |a Social Sciences 
653 |a Sociology & Social Policy 
653 |a Race & Ethnic Studies 
653 |a Sociology of Culture 
773 1 0 |t Film in contemporary Southeast Asia  |7 nnaa  |o OAPEN Library UUID: f3ea8af3-a277-4a23-9282-e2d45459ad6b 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/22339/1/9780415617635_oachapter7.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/33479  |7 0  |z DOAB: description of the publication