The Cultural Practice of Immigrant Filmmaking Minor Immigrant Cinemas in Sweden 1950-1990
Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant...
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Format: | Electronic Book Chapter |
Language: | English |
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Intellect
2019
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Online Access: | DOAB: download the publication DOAB: description of the publication |
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100 | 1 | |a Andersson, Lars Gustaf |4 auth | |
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520 | |a Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association. | ||
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650 | 7 | |a Migration, immigration & emigration |2 bicssc | |
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653 | |a immigrant | ||
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653 | |a Transnational Film Historiography | ||
653 | |a Public Sphere | ||
653 | |a Film and Migration | ||
653 | |a Accented cinema | ||
653 | |a exilic cinema | ||
653 | |a diasporic cinema | ||
653 | |a film policy | ||
653 | |a Swedish film history | ||
653 | |a fabulation | ||
653 | |a film curating | ||
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