Tempi der Bewegung - Modi des Gefühls
What is the connection between the tempo of audiovisual images and the audience`s emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex composi...
Kaydedildi:
| Yazar: | |
|---|---|
| Materyal Türü: | Elektronik Kitap Bölümü |
| Baskı/Yayın Bilgisi: |
Berlin/Boston
De Gruyter
2020
|
| Seri Bilgileri: | Cinepoetics
|
| Konular: | |
| Online Erişim: | DOAB: download the publication DOAB: description of the publication |
| Etiketler: |
Etiketle
Etiket eklenmemiş, İlk siz ekleyin!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_35311 | ||
| 005 | 20210210 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20210210s2020 xx |||||o ||| 0|deu d | ||
| 020 | |a 9783110519846 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.1515/9783110519846 |c doi | |
| 041 | 0 | |a deu | |
| 042 | |a dc | ||
| 072 | 7 | |a APF |2 bicssc | |
| 072 | 7 | |a APFA |2 bicssc | |
| 072 | 7 | |a JFD |2 bicssc | |
| 100 | 1 | |a Greifenstein, Sarah |4 auth | |
| 245 | 1 | 0 | |a Tempi der Bewegung - Modi des Gefühls |
| 260 | |a Berlin/Boston |b De Gruyter |c 2020 | ||
| 300 | |a 1 electronic resource (333 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Cinepoetics | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a What is the connection between the tempo of audiovisual images and the audience`s emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex composition of voices, facial expressions, gestures, and visual constructions. The audience experiences and enjoys combat and rage as an elegant pas de deux. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
| 546 | |a German | ||
| 650 | 7 | |a Films, cinema |2 bicssc | |
| 650 | 7 | |a Film theory & criticism |2 bicssc | |
| 650 | 7 | |a Media studies |2 bicssc | |
| 653 | |a Affectivity | ||
| 653 | |a comedy | ||
| 653 | |a temporality | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/37601/1/9783110519662.pdf |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/35311 |7 0 |z DOAB: description of the publication |