Between Stage and Screen Ingmar Bergman Directs
Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between stage and screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman's stage, screen, and radio...
Saved in:
Main Author: | |
---|---|
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Amsterdam University Press
1996
|
Series: | Film Culture in Transition
|
Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_35936 | ||
005 | 20210210 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20210210s1996 xx |||||o ||| 0|eng d | ||
020 | |a 9789053561379 | ||
020 | |a 9789053561379 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.5117/9789053561379 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a AN |2 bicssc | |
072 | 7 | |a AP |2 bicssc | |
072 | 7 | |a APFB |2 bicssc | |
100 | 1 | |a Törnqvist, Egil |4 auth | |
245 | 1 | 0 | |a Between Stage and Screen |b Ingmar Bergman Directs |
260 | |b Amsterdam University Press |c 1996 | ||
300 | |a 1 electronic resource (244 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Film Culture in Transition | |
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between stage and screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman's stage, screen, and radio productions. In the prologue Bergman's spiritual and aesthetic heritage and his position in the twentieth century media landscape is outlined. In the epilogue the question is answered to what extent one can speak of Bergman's directorial 'method' irrespective of the chosen medium. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc/3.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc/3.0/ | ||
546 | |a English | ||
650 | 7 | |a Theatre studies |2 bicssc | |
650 | 7 | |a Film, TV & radio |2 bicssc | |
650 | 7 | |a Individual film directors, film-makers |2 bicssc | |
653 | |a theater | ||
653 | |a stage presentations | ||
653 | |a motion pictures | ||
653 | |a film | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/35094/1/340254.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/35094/1/340254.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/35094/1/340254.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/35936 |7 0 |z DOAB: description of the publication |