Musikalische Repertoires in Zentraleuropa (1420-1450) Prozesse & Praktiken

• 1. autor: Tammen, Björn Renko (auth)
• Kolejni autorzy: Rausch, Alexander (auth)
• Format: Elektroniczne Rozdział
• Język: angielski
• Wydane: 2014
• Hasła przedmiotowe: Music; Music history; Late Middle Ages; musical repertories; music patronage; ritual; identity; awareness of time; Trent codices; Hermann Poetzlinger; mensural codex St. Emmeram; England; John Dunstaple; Guillaume Dufay; Gilles Binchois; Central Europe; Vienna; Hermann Edlerawer; Urbanus Kungsperger; Johannes Brassart; Johannes de Sarto; Frederick III (IV) of Habsburg; Albert II (V) of Habsburg; Rudolf Volkhardt; Petrus Wilhelmi de Grudencz; Bohemia; Veneto; motet; devotional motet; genre transformation; Marian devotions; musical iconography; chapel; Sangvers; Oswald von Wolkenstein; Hugo von Montfort; Michel Beheim; Heinrich der Teichner; Peter Suchenwirt; Monk of Salzburg; Liebhard Eghenvelder; Neidhart (Nithart); Austrian National Library; University of Vienna; Council of Constance; Council of Basle; Nibelungenlied; Johannes Lupi; Johannes Wiser; Johannes Prenner; Regensburg; St Stephen; St Martin; Jan Hus; isorhythmic motet; Ghent altarpiece; Jan van Eyck; Hubert van Eyck; Musikgeschichte; Polyphony
• Dostęp online: DOAB: download the publication; DOAB: description of the publication

With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic...