China's iGeneration Cinema and Moving Image Culture for the Twenty-First Century
Collection of essays on twenty-first century Chinese cinema and moving image culture. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, t...
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Other Authors: | , , |
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Bloomsbury Academic
2014
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Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
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008 | 20210210s2014 xx |||||o ||| 0|eng d | ||
020 | |a 9781623565954, 9781501315749 | ||
040 | |a oapen |c oapen | ||
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a JFD |2 bicssc | |
100 | 1 | |a Johnson, Matthew D. |4 auth | |
700 | 1 | |a Wagner, Keith B. |4 auth | |
700 | 1 | |a Yu, Tianqui |4 auth | |
700 | 1 | |a Vulpiani, Luke |4 auth | |
245 | 1 | 0 | |a China's iGeneration |b Cinema and Moving Image Culture for the Twenty-First Century |
260 | |b Bloomsbury Academic |c 2014 | ||
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337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Collection of essays on twenty-first century Chinese cinema and moving image culture. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has witnessed a radical transformation of conventional notions of cinema. Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur culture. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-mémoires, and works of pirated pastiche. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Media studies |2 bicssc | |
653 | |a Media & Communications | ||
653 | |a History | ||
653 | |a 21st-century | ||
653 | |a Motion Pictures | ||
653 | |a China | ||
653 | |a Media & Communications | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/30147/11/9781623568474.epub |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/37246 |7 0 |z DOAB: description of the publication |