China's iGeneration Cinema and Moving Image Culture for the Twenty-First Century

Collection of essays on twenty-first century Chinese cinema and moving image culture. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, t...

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Bibliographic Details
Main Author: Johnson, Matthew D. (auth)
Other Authors: Wagner, Keith B. (auth), Yu, Tianqui (auth), Vulpiani, Luke (auth)
Format: Electronic Book Chapter
Language:English
Published: Bloomsbury Academic 2014
Subjects:
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DOAB: description of the publication
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520 |a Collection of essays on twenty-first century Chinese cinema and moving image culture. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has witnessed a radical transformation of conventional notions of cinema. Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur culture. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-mémoires, and works of pirated pastiche. 
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