Chapter 31 The End of a Golden Era of British Music? Exploration of Educational Gaps in the Current UK Creative Industry Strategy
The creative industries, and particularly our UK Music industry, are perceived as healthy, resilient and strong. However, with the ongoing policy changes in secondary and higher education, as well as the continued cuts to council budgets and the ongoing lack of commitment to wealth distribution and...
Saved in:
Main Author: | |
---|---|
Format: | Electronic Book Chapter |
Language: | English |
Published: |
Taylor & Francis
2019
|
Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_38799 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | ||||||||s2019 xx |||||o ||| 0|eng d | ||
020 | |a 9781138498211; 9781351016711 | ||
040 | |a oapen |c oapen | ||
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a AV |2 bicssc | |
100 | 1 | |a Boehm, Carola |4 auth | |
245 | 1 | 0 | |a Chapter 31 The End of a Golden Era of British Music? |b Exploration of Educational Gaps in the Current UK Creative Industry Strategy |
260 | |b Taylor & Francis |c 2019 | ||
300 | |a 1 electronic resource (19 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a The creative industries, and particularly our UK Music industry, are perceived as healthy, resilient and strong. However, with the ongoing policy changes in secondary and higher education, as well as the continued cuts to council budgets and the ongoing lack of commitment to wealth distribution and even investment in the whole nation, this golden era of the creative industries in the UK may not last. In my latest articles, I explore critical themes relevant for the UK Music industry and the UK creative sector as a whole. Current national policy expressions often omit to address these themes, which are necessary to safeguard our future creative resilience. In writing this article, much relevance will be drawn from making connections to recent public debates on what universities are for and what their role is within the creative economy. Attention is given to considering current governmental industry strategies critically and their relevance for the music industry, together with their sector responses. | ||
540 | |a Creative Commons |f by-nc-nd/4.0/ |2 cc |4 http://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Music |2 bicssc | |
653 | |a music industry | ||
653 | |a creative industry | ||
773 | 1 | 0 | |t Innovation in Music |7 nnaa |o OAPEN Library UUID: d8305d41-957d-4e3f-a824-ec57550c8078 |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/24937/1/9781138498211_oachapter31.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/24937/1/9781138498211_oachapter31.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/24937/1/9781138498211_oachapter31.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/38799 |7 0 |z DOAB: description of the publication |