Contemporary Nostalgia
Some of the most pressing contemporary issues (ecological crisis, migration and integration, fragmented worldviews, social media, fake news, extremist politics and terrorism) can be understood more profoundly through how they interact with both individual and collective forces of nostalgia. Nostalgi...
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| Main Author: | |
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| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
MDPI - Multidisciplinary Digital Publishing Institute
2019
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| Online Access: | DOAB: download the publication DOAB: description of the publication |
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| 100 | 1 | |a Salmose, Niklas |4 auth | |
| 245 | 1 | 0 | |a Contemporary Nostalgia |
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| 520 | |a Some of the most pressing contemporary issues (ecological crisis, migration and integration, fragmented worldviews, social media, fake news, extremist politics and terrorism) can be understood more profoundly through how they interact with both individual and collective forces of nostalgia. Nostalgia is politics, but these politics are also interwoven with media and culture. Notwithstanding how nostalgia is used or contextualized in terms of politics and social practices, commodification or personal development, its power is primarily situated within its efficacy as a governing, influential human emotion. The vast and luminous contributions to this special issue on contemporary nostalgia are all investigating the role different aesthetic media formats (film, music, literature, computer games) plays in nostalgic negotiations with style, history, migration, love, nationalism, diaspora, irony, modernity, colonial and postcolonial discourses, and adoption. Mutually, these essays stand out as important, original, critical contributions to the expanding field of nostalgia studies and offer a valued insight on our world. | ||
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| 653 | |a F. Scott Fitzgerald | ||
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| 653 | |a North Africa Campaign | ||
| 653 | |a post-communism | ||
| 653 | |a railways | ||
| 653 | |a ostalgia | ||
| 653 | |a Partition fiction | ||
| 653 | |a retro aesthetics | ||
| 653 | |a India | ||
| 653 | |a Hollywood | ||
| 653 | |a Nubia | ||
| 653 | |a restorative nostalgia | ||
| 653 | |a narrative modes | ||
| 653 | |a Ian McEwan | ||
| 653 | |a Lars Gustafsson | ||
| 653 | |a post-Yugoslav music | ||
| 653 | |a Rickardsson | ||
| 653 | |a cosmopolitanism | ||
| 653 | |a idealisation | ||
| 653 | |a nostalgic dystopias | ||
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| 653 | |a commodification of feelings and memories | ||
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| 653 | |a first-person narrative | ||
| 653 | |a transnational adoption | ||
| 653 | |a Finland-Swedish literature | ||
| 653 | |a imperial nostalgia | ||
| 653 | |a Red Book Magazine | ||
| 653 | |a American literature | ||
| 653 | |a Atonement | ||
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| 653 | |a disembodied territoriality | ||
| 653 | |a expatriation | ||
| 653 | |a the concept of love | ||
| 653 | |a independent style | ||
| 653 | |a narrative mediation | ||
| 653 | |a F.R. Gruger | ||
| 653 | |a nation-state | ||
| 653 | |a southern gothic | ||
| 653 | |a video games | ||
| 653 | |a Czech history | ||
| 653 | |a historical recreation | ||
| 653 | |a memory | ||
| 653 | |a Egypt | ||
| 653 | |a media | ||
| 653 | |a autobiography | ||
| 653 | |a Richard Ford | ||
| 653 | |a collective memory | ||
| 653 | |a Czech film | ||
| 653 | |a normalisation | ||
| 653 | |a Pakistan | ||
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| 653 | |a reflective nostalgia | ||
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| 653 | |a colonial nostalgia | ||
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| 856 | 4 | 0 | |a www.oapen.org |u https://mdpi.com/books/pdfview/book/1568 |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/43975 |7 0 |z DOAB: description of the publication |