Faking, Forging, Counterfeiting

Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus not to be understood a...

Full description

Saved in:
Bibliographic Details
Main Author: Becker, Daniel (auth)
Other Authors: Niehoff, Simone (auth), Fischer, Annalisa (auth)
Format: Electronic Book Chapter
Language:English
Published: transcript Verlag 2017
Series:Edition Kulturwissenschaft
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus not to be understood as a negative copy or disgraced rip-off of an original - but as an autonomous aesthetic practice, a creative act in itself. The contributions focus on such different implementations such as faked traditions, pseudotranslations, imposters, identity theft, and hoaxes in different arts and historic contexts. Most importantly, they scrutinize the bonds and borders between original and forgery, and turn out their epistemic capability.
ISBN:9783839437629
Access:Open Access