Maria in Hymnus und Sequenz. Interdisziplinäre mediävistische Perspektiven
Marian hymns and sequences occupy a central place in the history of sacred song. Alongside Latin poetry, starting from the early Middle Ages, there were also vernacular translations, which adapted, modified, and transformed the image of Mary from their original models. The conference volume assemble...
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| Format: | Électronique Chapitre de livre |
| Publié: |
De Gruyter
2017
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| Collection: | Liturgie und Volkssprache. Studien zur Rezeption und Produktion geistlicher Lieder in Mittelalter und Früher Neuzeit
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| Accès en ligne: | DOAB: download the publication DOAB: description of the publication |
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| 100 | 1 | |a Wegener, Lydia |4 auth | |
| 700 | 1 | |a Rothenberger, Eva |4 auth | |
| 245 | 1 | 0 | |a Maria in Hymnus und Sequenz. Interdisziplinäre mediävistische Perspektiven |
| 260 | |b De Gruyter |c 2017 | ||
| 300 | |a 1 electronic resource (xi, 468 p.) | ||
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| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a Marian hymns and sequences occupy a central place in the history of sacred song. Alongside Latin poetry, starting from the early Middle Ages, there were also vernacular translations, which adapted, modified, and transformed the image of Mary from their original models. The conference volume assembles a broad range of interdisciplinary papers that examine these processes of reformulation and appropriation. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
| 546 | |a German | ||
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| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/52753 |7 0 |z DOAB: description of the publication |