A Musicology of Performance : Theory and Method Based on Bach's Solos for Violin

This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bac...

Full description

Saved in:
Bibliographic Details
Main Author: Dorottya Fabian (auth)
Format: Electronic Book Chapter
Language:English
Published: Open Book Publishers
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_54130
005 20210211
003 oapen
006 m o d
007 cr|mn|---annan
008 20210211s|||| xx |||||o ||| 0|eng d
020 |a 9782821881723 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a A  |2 bicssc 
100 1 |a Dorottya Fabian  |4 auth 
245 1 0 |a A Musicology of Performance : Theory and Method Based on Bach's Solos for Violin 
260 |b Open Book Publishers 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach's Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenti ng new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach's opus. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by/4.0/ 
546 |a English 
650 7 |a The arts  |2 bicssc 
653 |a music 
653 |a musicology 
856 4 0 |a www.oapen.org  |u http://books.openedition.org/obp/1852  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/54130  |7 0  |z DOAB: description of the publication