Produzione poetica e storia nella prassi e nella teoria greca di età classica
In "Poetics", Aristotle accepts history among the possible themes for poetry, on the condition that the poet reaches the universal plane by narrating events which comply with the rules of <i>eikos</i> and of <i>anankaion</i>. With the alteration of Athens's his...
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| Formaat: | Elektronisch Hoofdstuk |
| Taal: | Geen linguïstische inhoud |
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Firenze University Press
2014
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| Reeks: | Premio Tesi di Dottorato
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| Online toegang: | DOAB: download the publication DOAB: description of the publication |
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| Samenvatting: | In "Poetics", Aristotle accepts history among the possible themes for poetry, on the condition that the poet reaches the universal plane by narrating events which comply with the rules of <i>eikos</i> and of <i>anankaion</i>. With the alteration of Athens's history in the dialogue "Menexenus" and Solon's poem on Atlantis in the dialogue "Critias", Plato precedes Aristotle's reflection and gives historical narration a central role in the citizens' paideia. In the 5th century, Greek poetry on historical subjects, from Aeschylus's piece "The Persians" to the poem "The Persians" by Timotheus of Miletus, anticipated and put into practice the themes which Plato and Aristotle would later argument on s theorethical level, namely: the intertwining between the particular of history and the universal of poetry, the models for the <i>mimesis</i>, the audience's reaction spacing between <i>eleos</i>, <i>phobos</i> and <i>geloion</i>. |
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| Fysieke beschrijving: | 1 electronic resource (264 p.) |
| ISBN: | 978-88-6655-700-5 9788866557005 |
| Toegang: | Open Access |