Religion and Popular Music jrfm

The interactions between popular music and religion are manyfold and highly complex. Popular music as an important part of popular culture is a means of communication. Music can transmit not only emotions and a sense of community but also religious knowledge, knowledge that leaves diverse traces in...

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Bibliographic Details
Main Author: Natalie Fritz (auth)
Other Authors: Lavinia Pflugfelder (auth), Simon Philipp Born (auth), Sofia Sjö (auth), Reinhard Kopanski (auth), Anna-Katharina Höpflinger (auth), Andre L. Price (auth), Angela Sue Sawyer (auth), Jade Weimer (auth), Eva Meienberg (auth), Yannick Schlote (auth), Katharina Luise Merkert (auth)
Format: Electronic Book Chapter
Language:English
Published: Schüren Verlag 2020
Series:Journal for Religion, Film and Media
Online Access:DOAB: download the publication
DOAB: description of the publication
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700 1 |a Simon Philipp Born  |4 auth 
700 1 |a Sofia Sjö  |4 auth 
700 1 |a Reinhard Kopanski  |4 auth 
700 1 |a Anna-Katharina Höpflinger  |4 auth 
700 1 |a Andre L. Price  |4 auth 
700 1 |a Angela Sue Sawyer  |4 auth 
700 1 |a Jade Weimer  |4 auth 
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520 |a The interactions between popular music and religion are manyfold and highly complex. Popular music as an important part of popular culture is a means of communication. Music can transmit not only emotions and a sense of community but also religious knowledge, knowledge that leaves diverse traces in different times and places. In the end, whether we extract religious meaning from popular music and what that meaning is depend on our background and on our capacity to contextualise symbols, motives and narratives - and also on the media used to convey these references. By analysing Florence + The Machines song "Big God" and its music video we will address some of the questions that arise while working in the field of popular music and religion. 
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856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/58112  |7 0  |z DOAB: description of the publication