Revisiting the Relevance of Conceptualism of Godard's film Journal for Religion, Film and Media
Jean-Luc Godard's filmmaking is analyzed as a conceptual art, as in agreement with his most accomplished role as a film critic, not a classical filmmaker. In his 1970 manifesto, Godard argues that 1) we must make political films, and 2) we must make films politically. While the first point prov...
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| Materyal Türü: | Elektronik Kitap Bölümü |
| Dil: | İngilizce |
| Baskı/Yayın Bilgisi: |
Schüren Verlag
2018
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| Seri Bilgileri: | Journal for Religion, Film and Media
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| Online Erişim: | DOAB: download the publication DOAB: description of the publication |
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