Images of the Muslim Woman and the Construction of Muslim Identity: The Essentialist Paradigm Journal for Religion, Film and Media

This article argues that much of the postmodern discourse on the Muslim woman and her veil is symptomatic of what I call the "essentialist paradigm". The world is seen through the prism of a group's religious/cultural identity and eventually constructs a Muslim identity - and with it...

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Bibliographic Details
Main Author: Elham Manea (auth)
Format: Electronic Book Chapter
Language:English
Published: Schüren Verlag 2016
Series:Journal for Religion, Film and Media
Online Access:DOAB: download the publication
DOAB: description of the publication
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520 |a This article argues that much of the postmodern discourse on the Muslim woman and her veil is symptomatic of what I call the "essentialist paradigm". The world is seen through the prism of a group's religious/cultural identity and eventually constructs a Muslim identity - and with it an image of the Muslim Woman. The image of the oppressed veiled Muslim Woman and the treatment of a piece of cloth as synonymous with her whole identity and being are products of this paradigm of thought. Using an interdisciplinary approach that combines discourse analysis and a case study of the construction of the British Muslim community, this article argues that the essentialist paradigm ignores the context of its subject matter with all its accompanying power structures, political and social factors, and the roles played by both the state and fundamentalist Islam in constructing a Muslim identity and with it the Muslim Woman and her dress code. 
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