On the History and Hermeneutics of Comics Journal for Religion, Film and Media
What is a comic? The simple answer states that a comic is a drawn story that is picture- rather than text-oriented and told serially. In other words, a comic is a type of illustration. Realism is not its goal; rather a narrative is developed through reduction according to specific stylistic means. I...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Schüren Verlag
2017
|
| Series: | Journal for Religion, Film and Media
|
| Online Access: | DOAB: download the publication DOAB: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_63456 | ||
| 005 | 20210212 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20210212s2017 xx |||||o ||| 0|eng d | ||
| 040 | |a oapen |c oapen | ||
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 100 | 1 | |a Christian Wessely |4 auth | |
| 245 | 1 | 0 | |a On the History and Hermeneutics of Comics |b Journal for Religion, Film and Media |
| 260 | |b Schüren Verlag |c 2017 | ||
| 300 | |a 1 electronic resource (17-44 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Journal for Religion, Film and Media | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a What is a comic? The simple answer states that a comic is a drawn story that is picture- rather than text-oriented and told serially. In other words, a comic is a type of illustration. Realism is not its goal; rather a narrative is developed through reduction according to specific stylistic means. I start this article with a definition of the term "comic", and move on to highlight the complexity of the comic and to argue that insight into this complexity is necessary for its correct interpretation. Only then can we recognise that the comic is not only entertaining but also, in its own way, a vehicle for content that might be system confirming and propagandistic but can also be system critical. Doing so allows us to see the potential of the comic that is embedded in its particular affinity with nonlinear interactive audiovisual media. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-sa/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-sa/4.0/ | ||
| 546 | |a English | ||
| 773 | 1 | 0 | |t Drawn Stories, Moving Images. Comic Books and their Screen Adaptations |7 nnaa |o OAPEN Library UUID: cc960d70-3fb0-4059-b5a8-cb973322114e |
| 856 | 4 | 0 | |a www.oapen.org |u https://jrfm.eu/index.php/ojs_jrfm/article/view/75 |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/63456 |7 0 |z DOAB: description of the publication |