Parabolic Transcendence in Time and Narrative Journal for Religion, Film and Media
Subjectivity, memory, identity, and the invisible connections between individuals are all conspicuous within filmmaker Shane Carruth's two award-winning indie sci-fi films, Primer (Shane Carruth, USA, 2004) and Upstream Color (Shane Carruth, USA, 2013). In this, I contend that both Primer and U...
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| Formaat: | Elektronisch Hoofdstuk |
| Taal: | Engels |
| Gepubliceerd in: |
Schüren Verlag
2020
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| Reeks: | Journal for Religion, Film and Media
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| Online toegang: | DOAB: download the publication DOAB: description of the publication |
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