Affektpoetiken des New Hollywood Suspense, Paranoia und Melancholie
How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes - suspense...
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Main Author: | |
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Format: | Electronic Book Chapter |
Published: |
Berlin/Boston
De Gruyter
2016
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Series: | Cinepoetics
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Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
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245 | 1 | 0 | |a Affektpoetiken des New Hollywood |b Suspense, Paranoia und Melancholie |
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520 | |a How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes - suspense, paranoia, and melancholy - which draw the spectators to reflect in unique ways about contradictions in their own feelings. | ||
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546 | |a German | ||
650 | 7 | |a Film, TV & radio |2 bicssc | |
650 | 7 | |a Films, cinema |2 bicssc | |
650 | 7 | |a Media studies |2 bicssc | |
653 | |a Film history/ in the USA | ||
653 | |a affect | ||
653 | |a temporality | ||
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856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/68192 |7 0 |z DOAB: description of the publication |