Tactical Entanglements AI Art, Creative Agency, and the Limits of Intellectual Property
How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging i...
Saved in:
Main Author: | |
---|---|
Format: | Electronic Book Chapter |
Language: | English |
Published: |
meson press
2021
|
Subjects: | |
Online Access: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_71274 | ||
005 | 20210714 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20210714s2021 xx |||||o ||| 0|eng d | ||
020 | |a 1839 | ||
020 | |a 9783957961846 | ||
020 | |a 9783957961839 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.14619/1839 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a JFD |2 bicssc | |
100 | 1 | |a Zeilinger, Martin |4 auth | |
245 | 1 | 0 | |a Tactical Entanglements |b AI Art, Creative Agency, and the Limits of Intellectual Property |
260 | |b meson press |c 2021 | ||
300 | |a 1 electronic resource (186 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of "creative AI." It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-sa/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-sa/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Media studies |2 bicssc | |
653 | |a Nonbooks, PBS / Medien, Kommunikation/Medienwissenschaft | ||
653 | |a Digital-, Video- und New Media-Kunst | ||
653 | |a Creative Agency | ||
653 | |a Aesthetics | ||
653 | |a Ownership | ||
653 | |a Artificial Intelligence | ||
653 | |a Law | ||
653 | |a Posthumanism | ||
653 | |a Capital | ||
653 | |a Intellectual Property | ||
653 | |a Art | ||
653 | |a Authorship | ||
653 | |a Internet und digitale Medien: Kunst und Performance | ||
653 | |a Medienwissenschaften: Internet, digitale Medien und Gesellschaft | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/50004/1/9783957961846.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/71274 |7 0 |z DOAB: description of the publication |