Closer to Dust

"No one thinks straight. At least no one remembers straight. But ten years ago, things were different, weren't they? Roland Barthes once wrote that color in a photograph is like make-up on a corpse. No one is fooled. In anarchic denial of convenient truths, a young international couple me...

Full description

Saved in:
Bibliographic Details
Main Author: Rich, Sara A. (auth)
Format: Electronic Book Chapter
Language:English
Published: Brooklyn, NY punctum books 2021
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_71698
005 20210821
003 oapen
006 m o d
007 cr|mn|---annan
008 20210821s2021 xx |||||o ||| 0|eng d
020 |a 0324.1.00 
020 |a 9781953035769 
040 |a oapen  |c oapen 
024 7 |a 10.53288/0324.1.00  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a AJ  |2 bicssc 
072 7 |a BM  |2 bicssc 
100 1 |a Rich, Sara A.  |4 auth 
245 1 0 |a Closer to Dust 
260 |a Brooklyn, NY  |b punctum books  |c 2021 
300 |a 1 electronic resource (108 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a "No one thinks straight. At least no one remembers straight. But ten years ago, things were different, weren't they? Roland Barthes once wrote that color in a photograph is like make-up on a corpse. No one is fooled. In anarchic denial of convenient truths, a young international couple meet and marry on a small Mediterranean island. Ten years later, the couple separate in part due to complications with immigration laws. Following this transcontinental rupture, fragmented histories emerge in response to the woman's encounters with a series of color snapshots. There is death here, familiar to the mourner, as the photographs issue their special powers to magically and auspiciously predict the future and simultaneously to permit the return of the dead. The woman recognizes pieces of herself as past objects indexed within photographic stills, but paradoxically, she is present, outside in this chaos trying not to fall apart. The images and their objects yawn to remind us of the reluctant destiny of all our beloved memories, bodies, and things: that is, to disintegrate. Borrowing its title from a passage in The Emigrants by W.G. Sebald, Closer to Dust is a séance, a gathering of invitees: inherently biased elegies, the images that conjured them, and the reader- viewer in attendance who is warmly invited to order these intimate fragments into cohesion." 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-sa/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-sa/4.0/ 
546 |a English 
650 7 |a Photography & photographs  |2 bicssc 
650 7 |a Memoirs  |2 bicssc 
653 |a autobiography;creative nonfiction;divorce;immigration;international relationships;marriage;photography 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/50495/1/0324.1.00.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/50495/1/0324.1.00.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/71698  |7 0  |z DOAB: description of the publication