Towards a Digital Epistemology Aesthetics and Modes of Thought in Early Modernity and the Present Age
This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Springer Nature
2021
|
| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_72072 | ||
| 005 | 20211006 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20211006s2021 xx |||||o ||| 0|eng d | ||
| 020 | |a 978-3-030-78724-0 | ||
| 020 | |a 9783030787240 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.1007/978-3-030-78724-0 |c doi | |
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 072 | 7 | |a JFD |2 bicssc | |
| 072 | 7 | |a DS |2 bicssc | |
| 100 | 1 | |a Ingvarsson, Jonas |4 auth | |
| 245 | 1 | 0 | |a Towards a Digital Epistemology |b Aesthetics and Modes of Thought in Early Modernity and the Present Age |
| 260 | |b Springer Nature |c 2021 | ||
| 300 | |a 1 electronic resource (136 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms? | ||
| 540 | |a Creative Commons |f by-nc-nd/4.0/ |2 cc |4 http://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
| 546 | |a English | ||
| 650 | 7 | |a Media studies |2 bicssc | |
| 650 | 7 | |a Literature: history & criticism |2 bicssc | |
| 653 | |a digital humanities | ||
| 653 | |a media archeology | ||
| 653 | |a media history | ||
| 653 | |a early modern aesthetics | ||
| 653 | |a digital culture | ||
| 653 | |a aesthetic history | ||
| 653 | |a Open Access | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/50723/1/978-3-030-78724-0.pdf |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/72072 |7 0 |z DOAB: description of the publication |