Chapter 4 Choreographing Love Balletic Contact in Sasha Waltz's Roméo et Juliette
This chapter examines Sasha Waltz's choreographic staging of Berlioz's Roméo et Juliette for the Paris Opera Ballet from 2007. Waltz's production reimagines one of the most canonical stories in the classical ballet repertoire through the abstract and fragmentary lens of contemporary...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
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| বিন্যাস: | বৈদ্যুতিক গ্রন্থের অধ্যায় |
| ভাষা: | ইংরেজি |
| প্রকাশিত: |
Taylor & Francis
2021
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | DOAB: download the publication DOAB: description of the publication |
| ট্যাগগুলো: |
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| সংক্ষিপ্ত: | This chapter examines Sasha Waltz's choreographic staging of Berlioz's Roméo et Juliette for the Paris Opera Ballet from 2007. Waltz's production reimagines one of the most canonical stories in the classical ballet repertoire through the abstract and fragmentary lens of contemporary dance. I trace how Waltz appropriates the post-modern principles of Contact Improvisation for purposes of balletic storytelling. Drawing from recent affect-focussed criticism in dance studies, I explore how Waltz uses the non-narrative relationality of Contact Improvisation to transform Shakespeare's poetic constellations of affect into abstract, yet dramatically expressive choreographic embodiments of affect, especially in the Pas de deux during the "Scène d'amour". |
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| দৈহিক বর্ননা: | 1 electronic resource (62 p.) |
| আইসবিএন: | 9781003185536-4 9781032028590 9781032028606 |
| প্রবেশাধিকার: | Open Access |