Der Stoff der Räume Textile Raumkonzepte im französischen Interieur des 18. Jahrhunderts
Textiles were central material and medium of the European interior in early modern Western and Central Europe. Anika Reineke opens up new perspectives on the aesthetics of the Rococo period, with a particular focus on spatial concepts, illusionism, and craftsmanship. Using tapestries, silk wall cov...
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Diğer Yazarlar: | |
Materyal Türü: | Elektronik Kitap Bölümü |
Baskı/Yayın Bilgisi: |
Emsdetten/Berlin
Reimer Verlag
2020
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Seri Bilgileri: | Textile Studies
10 |
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Online Erişim: | DOAB: download the publication DOAB: description of the publication |
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020 | |a /doi.org/10.11588/arthistoricum.787 | ||
020 | |a 978-3-948466-82-4; 978-3-942810-49-4 | ||
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100 | 1 | |a Reineke, Anika |4 auth | |
700 | 1 | |a Tristan Weddigen |4 edt | |
700 | 1 | |a Tristan Weddigen |4 oth | |
245 | 1 | 0 | |a Der Stoff der Räume |b Textile Raumkonzepte im französischen Interieur des 18. Jahrhunderts |
260 | |a Emsdetten/Berlin |b Reimer Verlag |c 2020 | ||
300 | |a 1 electronic resource (252 p.) | ||
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337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Textile Studies |v 10 | |
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Textiles were central material and medium of the European interior in early modern Western and Central Europe. Anika Reineke opens up new perspectives on the aesthetics of the Rococo period, with a particular focus on spatial concepts, illusionism, and craftsmanship. Using tapestries, silk wall coverings, and screens as examples, this transmedial study offers up-to-date perspectives on the plural authorship of craftsmen and artists, the visual effects of room furnishings, and the ambivalent relationship between guilds, manufactories, and academies in the 18th century. | ||
520 | |a Textilien waren zentrales Material und Medium des europäischen Interieurs im frühneuzeitlichen West- und Mitteleuropa. Anika Reineke eröffnet neue kulturwissenschaftliche Blickwinkel auf die Ästhetik des Rokoko und legt dabei besonderen Fokus auf Raumkonzepten, Illusionismus und Kunsthandwerk. Am Beispiel von Tapisserien, Seidenwandbespannungen und Paravents bietet diese transmediale Studie aktuelle Perspektiven auf die plurale Autorschaft der Kunsthandwerker und Künstler, die visuellen Wirkweisen der Raumausstattungen und das ambivalente Verhältnis zwischen Zünften, Manufakturen und Akademien im 18. Jahrhundert. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
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856 | 4 | 0 | |a www.oapen.org |u https://books.ub.uni-heidelberg.de/arthistoricum/reader/download/787/787-16-91853-1-10-20201216.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/72421 |7 0 |z DOAB: description of the publication |