Chapter 22 Competing Ontologies of Musical Improvisation A Medieval Perspective
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formula...
Enregistré dans:
Auteur principal: | Smilansky, Uri (auth) |
---|---|
Autres auteurs: | Lewon, Marc (auth) |
Format: | Électronique Chapitre de livre |
Langue: | anglais |
Publié: |
Taylor & Francis
2021
|
Sujets: | |
Accès en ligne: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Ajouter un tag
Pas de tags, Soyez le premier à ajouter un tag!
|
Documents similaires
-
Chapter 22 Competing Ontologies of Musical Improvisation A Medieval Perspective
par: Smilansky, Uri
Publié: (2021) -
Chapter 28 The Risk of Improvised Music An Ethnographic Approach
par: Arthurs, Tom
Publié: (2021) -
Chapter 28 The Risk of Improvised Music An Ethnographic Approach
par: Arthurs, Tom
Publié: (2021) -
Chapter 27 Repeatability versus Unrepeatability in Free Improvisation
par: Gartmann, Thomas
Publié: (2021) -
Chapter 27 Repeatability versus Unrepeatability in Free Improvisation
par: Gartmann, Thomas
Publié: (2021)