Black Dragon Afro Asian Performance and the Martial Arts Imagination

In Black Dragon, Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce...

Full description

Saved in:
Bibliographic Details
Main Author: Price, Zachary F. (auth)
Format: Electronic Book Chapter
Language:English
Published: The Ohio State University Press 2022
Subjects:
Online Access:DOAB: download the publication
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_77360
005 20220116
003 oapen
006 m o d
007 cr|mn|---annan
008 20220116s2022 xx |||||o ||| 0|eng d
020 |a /doi.org/10.26818/9780814214602 
020 |a 9780814214602 
040 |a oapen  |c oapen 
024 7 |a https://doi.org/10.26818/9780814214602  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a DSG  |2 bicssc 
072 7 |a DS  |2 bicssc 
072 7 |a DS  |2 bicssc 
100 1 |a Price, Zachary F.  |4 auth 
245 1 0 |a Black Dragon  |b Afro Asian Performance and the Martial Arts Imagination 
260 |b The Ohio State University Press  |c 2022 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a In Black Dragon, Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film Game of Death, Ron Van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between these distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By zeroing in on this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist liberation for the twenty-first century. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode 
546 |a English 
650 7 |a Literary studies: plays & playwrights  |2 bicssc 
650 7 |a Literature: history & criticism  |2 bicssc 
650 7 |a Literature: history & criticism  |2 bicssc 
653 |a Literary Criticism 
653 |a Drama 
653 |a Literary Criticism 
653 |a American 
653 |a Asian American 
653 |a Literary Criticism 
653 |a American 
653 |a African American & Black 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/52454/1/external_content.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/52454/1/external_content.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/77360  |7 0  |z DOAB: description of the publication