War in Film Semiotics and Conflict Related Sign Constructions on the Screen
The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Büchner-Verlag
2022
|
| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_79840 | ||
| 005 | 20220401 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20220401s2022 xx |||||o ||| 0|eng d | ||
| 020 | |a 978-3-96317-852-8 | ||
| 020 | |a 9783963173035 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.14631/978-3-96317-852-8 |c doi | |
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 072 | 7 | |a JFD |2 bicssc | |
| 072 | 7 | |a APFN |2 bicssc | |
| 072 | 7 | |a APF |2 bicssc | |
| 100 | 1 | |a Jacob, Frank |4 edt | |
| 700 | 1 | |a Jacob, Frank |4 oth | |
| 245 | 1 | 0 | |a War in Film |b Semiotics and Conflict Related Sign Constructions on the Screen |
| 260 | |b Büchner-Verlag |c 2022 | ||
| 300 | |a 1 electronic resource (229 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc/4.0/ | ||
| 546 | |a English | ||
| 650 | 7 | |a Media studies |2 bicssc | |
| 650 | 7 | |a Film: styles & genres |2 bicssc | |
| 650 | 7 | |a Films, cinema |2 bicssc | |
| 653 | |a Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; film aesthetics; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; semiotics; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/53676/1/9783963178528_oa.pdf |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/79840 |7 0 |z DOAB: description of the publication |