Gregorijanski koral v srednjeveških rokopisih na Slovenskem
In Slovenian libraries and archives there are ca. 25 medieval music manuscripts~besides, several hundreds of fragments of destroyed medieval music codices have been preserved. With few exceptions all these sources contain Gregorian chant: the common medieval music culture that was known everywhere i...
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Format: | Electronic Book Chapter |
Language: | Slovenian |
Published: |
Ljubljana
ZRC SAZU, Založba ZRC
2018
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Online Access: | DOAB: download the publication DOAB: description of the publication |
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520 | |a In Slovenian libraries and archives there are ca. 25 medieval music manuscripts~besides, several hundreds of fragments of destroyed medieval music codices have been preserved. With few exceptions all these sources contain Gregorian chant: the common medieval music culture that was known everywhere in the West and may be regarded as the starting point of European music history. The monograph contains a series of essays discussing various aspects of these variegated sources: their contents as well as their historical, paleographic, codicological and musical features. A special attention is paid to those segments that appear idiosyncratic or even unique, as is e.g. the versified office for the feast of the patron saints of the parish church of Kranj. The monograph is rounded off by a detailed/descriptive catalogue of all hitherto known medieval music sources, be it complete or incomplete, to be found in Slovenian locations. | ||
520 | |a V slovenskih knjižnicah in arhivih je okoli 25 srednjeveških glasbenih kodeksov, poleg teh pa še več sto posameznih pergamentnih folijev z glasbenim zapisom, ki so se ohranili kot preostanki uničenih srednjeveških glasbenih rokopisov. Z redkimi izjemami je vsebina vsega tega gradiva gregorijanski koral: srednjeveška glasbena kultura, ki je bila poznana vsemu latinskemu Zahodu in predstavlja izhodišče zahodnoevropske glasbene zgodovine. Monografija prinaša vrsto samostojnih razprav, ki obravnavajo različne vidike tega raznolikega gradiva: vsebinske, kodikološke, zgodovinske, notacijske in glasbene. Posebna pozornost je posvečena tistim vsebinskim segmentom, ki odražajo čas in prostor ali so kako drugače izstopajoči, kot je to npr. verzificirani oficij za praznik patronov župnijske cerkve v Kranju. Knjigo zaključuje katalog, ki prinaša opisni seznam vseh doslej znanih srednjeveških glasbenih rokopisov, njihovih fragmentov kot tudi drugih srednjeveških glasbenih zapisov na Slovenskem. | ||
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650 | 7 | |a Slovenia |2 bicssc | |
650 | 7 | |a Theory of music & musicology |2 bicssc | |
650 | 7 | |a Choral music |2 bicssc | |
653 | |a Gregorian chant | ||
653 | |a Middle Ages | ||
653 | |a sacred vocal music | ||
653 | |a Slovenia | ||
653 | |a gregorijanski koral | ||
653 | |a sakralna vokalna glasba | ||
653 | |a srednji vek | ||
653 | |a Slovenija | ||
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856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/80051 |7 0 |z DOAB: description of the publication |