Umetnost glasbe v času od Monteverdija do Bacha
This book ('The art of music in the period from Monteverdi to Bach')is an introduction to the history of Baroque music. It starts by describing seminal innovations in Italian music of the last decades of the 16th century, and terminates by presenting new trends in the music of the first ha...
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Format: | Electronic Book Chapter |
Language: | Slovenian |
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Ljubljana
ZRC SAZU, Založba ZRC
2017
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Online Access: | DOAB: download the publication DOAB: description of the publication |
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245 | 1 | 0 | |a Umetnost glasbe v času od Monteverdija do Bacha |
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520 | |a This book ('The art of music in the period from Monteverdi to Bach')is an introduction to the history of Baroque music. It starts by describing seminal innovations in Italian music of the last decades of the 16th century, and terminates by presenting new trends in the music of the first half of the 18th century. The text is divided into twenty chronologically arranged chapters that discuss the most important issues in the development of Baroque music in Italy, Germany, France and England. Each chapter consists of several subchapters that focus on particular topics, such as musical life in specific historical environments, important musical institutions, typical music genres, their origin and development, composers' oeuvres, their biographies, and typical musical forms. Musical genres and composers are illustrated by several dozens of original analytical descriptions of particular musical works. Special chapters are devoted to broader theoretical issues of Baroque music. At the end of the monograph there is a substantial name- and subject index. | ||
520 | |a Monografija prikazuje zgodovino evropske umetne glasbe v obdobju baroka. V vsebinskem smislu ima tri obsežnejše dele: prvi je posvečen epohalnim novostim v italijanski glasbi na prehodu v 17. stol.~drugi opisuje glasbo v 17. stol. v štirih glasbeno najpomembnejših evropskih deželah (Italija, nemške dežele, Francija, Anglija), tretji pa glasbo v prvi polovici 18. stol., ko je mogoče opaziti določeno ustalitev internacionalno uveljavljenih žanrov in glasbenih oblik. V delu se prepletajo različne vsebinske sestavine: opisano je glasbeno življenje v posameznih zgodovinskih okoljih~na to se navezujejo prikazi glasbenih žanrov~opisane so posamezne zgodovinske glasbene oblike, njihov nastanek in razvoj~prikazana je vrsta skladateljskih osebnosti~slednjič vključuje monografija vrsto analitično-kritiških opisov posameznih izbranih kompozicij, ki ilustrirajo glasbene oblike, žanre in skladateljske osebnosti. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a Slovenian | ||
650 | 7 | |a Theory of music & musicology |2 bicssc | |
650 | 7 | |a Baroque music (c 1600 to c 1750) |2 bicssc | |
653 | |a 17/18th century | ||
653 | |a baroque music | ||
653 | |a history | ||
653 | |a music | ||
653 | |a 17.-18. st. | ||
653 | |a baročna glasba | ||
653 | |a glasba | ||
653 | |a zgodovina | ||
856 | 4 | 0 | |a www.oapen.org |u https://omp.zrc-sazu.si/zalozba/catalog/view/1372/5772/1416-1 |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/80430 |7 0 |z DOAB: description of the publication |