Les couleurs des albâtres anglais. Polychromie, production et perception médiévales

• Hoofdauteur: Schlicht, Markus (auth)
• Andere auteurs: Mounier, Aurélie (auth), Mulliez, Maud (auth)
• Formaat: Elektronisch Hoofdstuk
• Gepubliceerd in: Pessac Ausonius Éditions 2021
• Reeks: PrimaLun@ 11
• Onderwerpen: History of art / art & design styles; History; Polychromy; reconstruction; sculpture; Middle Ages; alabaster; England; Christian devotion; digital restoration; physico-chemical analyses; micro-photography; experimental archaeology; 3D digitization; photogrammetry; optical measurements; facsimile; physical copy; painting techniques; pigments; gilding; symbolism of colours; medieval vision; perception criteria; aesthetic principles; patrons; Bordeaux; Libourne; Paris; Rabastens; Saint-Nicolas-du-Bosc; Nottingham; London
• Online toegang: DOAB: download the publication; DOAB: description of the publication

Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their coloured epidermis, an integral part of these...