Pigments and Dyes in Archaeological and Historical Objects-Scientific Analyses and Conservation Challenges
The book presents a collection of original scientific studies aimed at identifying the pigments and dyes in several archaeological or historical objects and artworks. The objects under investigation span from ancient Greek vases to modern paintings, and show the importance of scientific analysis not...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Basel
MDPI - Multidisciplinary Digital Publishing Institute
2022
|
| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_81138 | ||
| 005 | 20220506 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20220506s2022 xx |||||o ||| 0|eng d | ||
| 020 | |a books978-3-0365-3135-9 | ||
| 020 | |a 9783036531342 | ||
| 020 | |a 9783036531359 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.3390/books978-3-0365-3135-9 |c doi | |
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 072 | 7 | |a GP |2 bicssc | |
| 100 | 1 | |a Tamburini, Diego |4 edt | |
| 700 | 1 | |a Tamburini, Diego |4 oth | |
| 245 | 1 | 0 | |a Pigments and Dyes in Archaeological and Historical Objects-Scientific Analyses and Conservation Challenges |
| 260 | |a Basel |b MDPI - Multidisciplinary Digital Publishing Institute |c 2022 | ||
| 300 | |a 1 electronic resource (286 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a The book presents a collection of original scientific studies aimed at identifying the pigments and dyes in several archaeological or historical objects and artworks. The objects under investigation span from ancient Greek vases to modern paintings, and show the importance of scientific analysis not only to reveal the artists' materials in different contexts, but also to support conservation and curatorial strategies for the preservation and display of cultural heritage. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a English | ||
| 650 | 7 | |a Research & information: general |2 bicssc | |
| 653 | |a Late Cycladic I | ||
| 653 | |a brominated indigoids | ||
| 653 | |a Muricidae | ||
| 653 | |a murex | ||
| 653 | |a purpurissum | ||
| 653 | |a true purple | ||
| 653 | |a microRaman | ||
| 653 | |a FTIR | ||
| 653 | |a HPLC-DAD | ||
| 653 | |a weld lake pigments | ||
| 653 | |a yellow lakes | ||
| 653 | |a luteolin | ||
| 653 | |a 19th century | ||
| 653 | |a Winsor & | ||
| 653 | |a Newton | ||
| 653 | |a conservation | ||
| 653 | |a Liu Kang | ||
| 653 | |a SEM-EDS | ||
| 653 | |a MA-XRF | ||
| 653 | |a IRFC | ||
| 653 | |a X-RAY | ||
| 653 | |a RTI | ||
| 653 | |a hidden paintings | ||
| 653 | |a pigments | ||
| 653 | |a synthetic organic pigments | ||
| 653 | |a royal talens | ||
| 653 | |a handheld raman spectroscopy | ||
| 653 | |a microraman spectroscopy | ||
| 653 | |a modern artist oil paint | ||
| 653 | |a urolithin C | ||
| 653 | |a brazilein | ||
| 653 | |a brazilwood marker component | ||
| 653 | |a historical textile | ||
| 653 | |a alteration | ||
| 653 | |a cadmium orange | ||
| 653 | |a chlorine | ||
| 653 | |a selenium | ||
| 653 | |a terracotta | ||
| 653 | |a maize stem | ||
| 653 | |a New Spain | ||
| 653 | |a computerized tomography | ||
| 653 | |a Raman | ||
| 653 | |a SEM-EDX | ||
| 653 | |a Mexican sculpture | ||
| 653 | |a polychrome sculpture | ||
| 653 | |a Maria Sibylla Merian | ||
| 653 | |a colored prints | ||
| 653 | |a hyperspectral imaging | ||
| 653 | |a X-ray fluorescence spectroscopy | ||
| 653 | |a photometric stereo | ||
| 653 | |a Prussian blue | ||
| 653 | |a non-invasive pigment characterization | ||
| 653 | |a textiles | ||
| 653 | |a dyes | ||
| 653 | |a Peru | ||
| 653 | |a ambient ionization mass spectrometry | ||
| 653 | |a DART-MS | ||
| 653 | |a paper spray MS | ||
| 653 | |a HPLC | ||
| 653 | |a non-invasive techniques | ||
| 653 | |a FORS | ||
| 653 | |a XRF | ||
| 653 | |a illuminated manuscripts | ||
| 653 | |a brazilwood | ||
| 653 | |a colourants | ||
| 653 | |a Antoine de Lonhy | ||
| 653 | |a Torino | ||
| 653 | |a reflectance spectroscopy | ||
| 653 | |a SERS | ||
| 653 | |a synthetic dyes | ||
| 653 | |a Tholu Bommalata | ||
| 653 | |a puppets | ||
| 653 | |a pigment identification | ||
| 653 | |a Raman spectroscopy | ||
| 653 | |a scanning electron microscopy-energy dispersive spectroscopy | ||
| 653 | |a microstratigraphic analysis | ||
| 653 | |a Viking Age | ||
| 653 | |a dyestuff | ||
| 653 | |a HPLC-DAD-MS | ||
| 653 | |a aragonite | ||
| 653 | |a Brunswick green | ||
| 653 | |a clinochlore | ||
| 653 | |a mortars | ||
| 653 | |a ultramarine yellow | ||
| 653 | |a vermilion | ||
| 653 | |a wall paintings | ||
| 653 | |a XRD | ||
| 653 | |a Henri Matisse | ||
| 653 | |a cut-outs | ||
| 653 | |a gouache | ||
| 653 | |a Pigment identification | ||
| 653 | |a light sensitivity | ||
| 653 | |a X-ray fluorescence spectroscopy (XRF) | ||
| 653 | |a Fourier transform infrared spectroscopy (FTIR) | ||
| 653 | |a microfaedometry (MFT) | ||
| 653 | |a n/a | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://mdpi.com/books/pdfview/book/5169 |7 0 |z DOAB: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/81138 |7 0 |z DOAB: description of the publication |