Il giardino riflesso L'erbario di Luigi Meneghello
In Luigi Meneghello's work, the representation of the plant world refers to a subtext of images and symbols: a network of botanical isotopies which transforms into a system while allowing for an alternative and unprecedented reading. From the pages of Libera nos a malo (1963), up to the 'p...
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| Main Author: | |
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| Format: | Electronic Book Chapter |
| Language: | Italian |
| Published: |
Florence
Firenze University Press
2015
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| Series: | Biblioteca di Studi di Filologia Moderna
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| Subjects: | |
| Online Access: | DOAB: download the publication DOAB: description of the publication |
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| 520 | |a In Luigi Meneghello's work, the representation of the plant world refers to a subtext of images and symbols: a network of botanical isotopies which transforms into a system while allowing for an alternative and unprecedented reading. From the pages of Libera nos a malo (1963), up to the 'posthumous letters' of L'appendistato (2012), what the author calls «inframondo verdastro» becomes the starting point for the restoration of a literary biosphere, one which is constantly crossed by a double movement: intertextual memory and continuous interaction between Italian, English and the dialect from Vicenza (Italy). Meneghello's 'reflected garden' thus reveals itself in all its semantic value, and sheds light on a theme of surprisingly great complexity, and also a subject of particular interest for literary ecocriticism. | ||
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