Chapter L'esperienza formativa di Anton Domenico Gabbiani a Venezia. Disegni e dipinti inediti
This paper aims to cast new light on Anton Domenico Gabbiani's first sojourn in Venice, which took place between 1678 and 1681, by following the two main biographies of the artist, written by Ignazio Enrico Hugford and Francesco Saverio Baldinucci, and by analysing new archival documents. Speci...
Kaydedildi:
Yazar: | |
---|---|
Materyal Türü: | Elektronik Kitap Bölümü |
Dil: | İngilizce |
Baskı/Yayın Bilgisi: |
Florence
Firenze University Press
2020
|
Seri Bilgileri: | Studi e saggi
|
Konular: | |
Online Erişim: | DOAB: download the publication DOAB: description of the publication |
Etiketler: |
Etiketle
Etiket eklenmemiş, İlk siz ekleyin!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_82651 | ||
005 | 20220602 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20220602s2020 xx |||||o ||| 0|eng d | ||
020 | |a 978-88-5518-181-5.08 | ||
020 | |a 9788855181815 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.36253/978-88-5518-181-5.08 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
100 | 1 | |a Morelli, Laura |4 auth | |
245 | 1 | 0 | |a Chapter L'esperienza formativa di Anton Domenico Gabbiani a Venezia. Disegni e dipinti inediti |
260 | |a Florence |b Firenze University Press |c 2020 | ||
300 | |a 1 electronic resource (39 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Studi e saggi | |
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a This paper aims to cast new light on Anton Domenico Gabbiani's first sojourn in Venice, which took place between 1678 and 1681, by following the two main biographies of the artist, written by Ignazio Enrico Hugford and Francesco Saverio Baldinucci, and by analysing new archival documents. Specific attention is given to the constant study of artworks by the great Venetian masters of the Sixteenth century, especially Titian, to whom Gabbiani devoted himself also in his later years, copying famous masterpieces of the Cadore painter. Through some unpublished drawings of the Uffizi and new or little-known paintings, the Venetian component of Gabbiani's style is identified in the way of composing and in the execution of airy and light figures. The highlights and intense Venetian colorism contributed to the creation of sophisticated chiaroscuro modulations expressed in the mimetic rendering of animals and landscape settings. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
546 | |a English | ||
653 | |a Anton Domenico Gabbiani | ||
653 | |a Titian | ||
653 | |a Florentine baroque painting | ||
653 | |a Francesco Saverio Baldinucci | ||
653 | |a Ignazio Enrico Hugford | ||
773 | 1 | 0 | |7 nnaa |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/56053/1/15261.pdf |7 0 |z DOAB: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/82651 |7 0 |z DOAB: description of the publication |